Swarbrick Banks

BA, MA

painter


Jill Swarbrick Banks                                                           

painter

professional since: 1992
born: London 1959
medium: Oils
studio: Cornwall. UK


lyrical abstraction
landscape
portraiture
genre

Definition of Agency by the Artist

I work exclusively in top quality oil paint. I don't think there is any other medium like it for the ability to convey atmosphere. There is something about the smell of linseed oil as well that helps. I may add that longevity of oils is also well established.
I normally work on an ultra smooth Italian linen.

I try to use paint to escort a viewer to an alternative "transcendental" level... I choose to call this 21st century 'Lyrical Abstraction', as it feels the right pocket for it.
I recently had the immense pleasure of seeing first-hand the artwork of our great english artist Roger Dean. Roger is the chap that created the magical artwork for the prog rock era bands: Yes, Uriah Heep, Gentle Giant, etc. His other-worldly landscapes float in gorgeous finely graduated colours and are placed within supernatural skies and mysterious terrains. They utterly beguile the eye, emerging and transporting us to somewhere beautiful and profound.  I deeply appreciate Roger's work and when the music is played while you gaze at the images, it is just intoxicating, sublime!

It is about pure escapism. I too aim to produce layers and real depth in my paintings, "curved-ball" elements of surprise and mystery but above all ...beauty.
A painting by my hand, is intended to be a portal on your wall. A physical thing in your space that becomes more than just obvious marks of paint, it occupies a different realm. When you stand before it, you are taken into a supernatural place.
The true art of creating a landscape for me is to take you somewhere else, somewhere unfamiliar and somewhere ecstatic.

Music is a crucial element in the studio. I particularly favour works by Philip Glass and Arvo Pärt lately and I am also infatuated by the haunting vocals of The Unthanks..., deep rolling and brooding with their roots in Northumberland the traditional music canon of the British Isles.
Music sets the mood, the mindset. However poetry or a line or two in a book might be a catalyst for my work to begin, or even a real life event such as Russia's invasion of Ukraine ( see my painting 'Rhapsody / Song for Ukraine' in the gallery section.). I stand in silence before picking up a brush and just allow the sounds to wash over me until I feel compelled to lay out a palette, select a brush, a size of blank canvas, then the "dance' begins.

Titles of paintings are mere trigger points to help the viewer focus in and join me on my original inspiration and intention. Each painting should exist in its own right thereafter hopefully resonating in its own sort of beauty.


When I paint, it isn't about the cringing "expressing myself", I just try to tune into a hidden zone or vibration then hopefully the painting suggests its own path. I go with intuition, relying on my techniques & experience... I do feel but a conduit within a process. I only know a painting is ultimately concluded when suddenly, it somehow starts to "sing" back to me.

My late husband the musician Dave Swarbrick was often asked how he produced his unique sound and seemingly effortless technique on the violin. His answer was beautiful and always the same "Practise ".
It goes for all the Arts I think not only physically but also spiritually.

Like most artists I suffer from dangers in the arts: procrastination, complacency and the fatal big one: ego.
However, the truth is that perhaps they are all arguably essential if one is serious about progress.
Ego is a driver, especially in the early years when you might taste a bit of interest & success in your work but it shouldn't turn your head & lead you astray, careering forever in a single direction. It is very useful though for a necessary feeling of self-belief. If you don't believe in yourself... no one else will!
Complacency is a knock-on from ego and can, if left to run wild lead to stagnation. Most artists go through this stage and some of us repetitively.
Procrastination (suddenly the washing up is SO important, etc ) might just be the quiet before any definite deliberate action, mulling over that the task ahead is a definite action which...at some point... has to begin. Its a kind of "warm up" event!

I tell myself all the time that the next painting will be the great one and will lift my work up a level.  But, you know, all that really matters is the act of painting and constantly trying to improve,

So, If you are an artist reading this; enjoy your moment when that last painting you've just created takes your  breath away and try to hang on to the notion that your next  painting will be even greater. Keep going on that track. This is not ego or complacency, it is just a little drop of wisdom because you know in your heart of hearts that the ultimate painting is in fact, totally unachievable!!!

Painting should move you but without an audience where is the fun...?



Education

B.A. Baccalaureate degree  fine art painting

(ART ACADEMY) Kunst Academie 'Minerva'. 
Ged.Zuiderdiep te Groningen. 
The Netherlands. 
1988 -1992

M.A. Master of Art  post graduate degree  fine art painting

School of Art, University of Aberystwyth.
Cymru (Wales).
2017 - 2019
(distinction)




Artist in Residence to Coventry Cathedral in their golden jubilee year 2012.
Commissioned to record the celebrations during the year of the 50th anniversary consecration of the new cathedral.

Also commissioned to paint the portrait of their leaving Dean the Very Reverend John Irvine.
Dean to Coventry Cathedral: 2002 - 2012
The portrait currently hangs in the provost's vestry alongside all former Deans who have served the new building. A portrait of the leaving Dean is a tradition to Coventry.

During a very happy year at Coventry, Jill accomplished several projects including several abstract paintings inspired by and in celebration of the 50th jubilee celebrations.

The breathtaking kaleidoscope of stained glass that lines the cathedral wings and the Baptistry Window by John Piper in particular deeply resonates with Jill; "they are pure hope personified". The magnetic draw of the Graham Sutherland tapestry of Christ profoundly humbling the moment one glimpses it entering from the West Screen clear engraved glass panels known as the 'angel' windows designed and engraved by the artist John Hutton, all these combined elements Jill will still affirm were the bedrock of opening the door to "running with the imagination" in her practice.


Career

Jill's first steps into Art were to enrol on an elementary part-time art course run by a local artist Ms. Bobby Smith in Kew, Richmond upon Thames, Surrey. However the real spark to pick up brushes and paint came after reading the biography of the socialite painter "GLUCK" aka Hannah Gluckstein by Diana Souhami. "I was utterly transfixed at the power and subtle beauty of Gluck's painting. She was a complete maverick for her times, an odd-ball and her life and work became a bit of an obsession. I wanted to learn to paint more than anything!"

After a two year art and design course in East London, Jill's practice began in earnest studying for her Baccalaureate degree (Fine Art Painting) in the Netherlands in the late 1980s studying fine art painting and artists at the Academie Minerva Kunst Academie. She graduated in 1992. It was here in Groningen that she discovered the work of Czech painter Franz Kupka. Spurred on to survive long periods of homesickness for the British countryside went on to a dedicated period studying Samuel Palmer but also abstracted landscapes by Graham Sutherland, in particular, his work based on the welsh countryside became a major fascination during Jill's decade in the Netherlands. However after concentrating on portraiture and genre, upon her repatriation to England in 1998 her last years have been focused on discovering "possible" techniques of Turner.

In 2019 saw Jill graduate with a Masters Degree (distinction) at the School of Art, Aberystwyth University, Cymru ( Wales).
This period gave Jill the opportunity to stretch her painting from a more genre and portrait-centred practice
into a more lyrical abstraction of landscape and ephemeral themes.

"Turneresque"
A frequent comment attached to Jill's "lyrical abstraction and transcendental landscape" work produced since the mid 2010s, which leading biographer and art historian professor Frances Spalding CBE, FRSL has described as "formidable”. Her paintings seem to take on remarkably subliminal qualities.
Jill herself would affirm that she is very much "my own painter and no copyist” and ploughs her own furrow with a deep seated love for oil paint and its potential to create atmosphere.

Commissions

A polymath and at home in all genres of painting Jill is also known for achieving stunning portraits as well as her lyrically abstracted landscapes, however she especially enjoys discussing challenging projects face to face with clients particularly appreciating free ranging open-ended ideas and commissions.


Back Catalogue

Although most of her work is privately commissioned and collected, she has publicly exhibited in the Netherlands and the UK since 1992 most notably Galerie Pictura in Groningen - one of the oldest galleries in the Netherlands and most recently Clare Hall, Cambridge University where the Head of the Art Committee is Professor Frances Spalding CBE, FRSL.

Private Tutor 
NVQ Level 7 
fine art painting

Tuition in advanced (oils) painting, covering portraiture, landscape, genre, abstraction.
One to one tuition in Devon and Cornwall.

Lecturer and Speaker
A unique and very personal approach to fine art painting with oils. Philosophy, Inspiration and Technique.

Commissions
If you would like a non-committal quote regarding commissioning a painting or just curious and looking for more information about her future projects, do drop Jill a message via the contact page.


Curriculum Vitae
Contact us at FOXER Fine Art


Recent exhibitions: 

Clare Hall, Cambridge University.
9th March - 27th April 2023
Transcendental Landscapes
A series of oils inspired by the Dyfi River and surrounding landscape of Mid-Wales.
Curated by Professor Frances Spalding. FRSL, CBE.Clare Hall
Herschel Road
Cambridge
CB3 9AL
https://www.clarehall.cam.ac.uk/events/jillswarbrickbanksexhib23/


The Charles Causley Festival 
Launceston, Cornwall.

Southgate Arch
Exhibition of work by five professional artists, inspired by the poetry and prose of Charles Causley CBE, FRSL.
Dr. June Forster, Wayne Summers MA , Rachel Ricketts RBSA, Emma-Jayne Holmes BA, MA, Jill Swarbrick-Banks BA, MA

June 29th - July 2nd 2023, Launceston, Cornwall.

On Friday 30th June in the Town hall a commissioned painting : "Where Stone Runs Like Honey" inspired partly by the poem "Launceston Castle" by poet Anthony Vahni Capildeo ( the painting's title is actually a line from their poem ) was unveiled, during the Charles Causley Festival 2023.
Please support the festival in any shape or form to keep Charles Causley's heritage and beautiful poetry to the fore!

Cropredy Festival
Fairport's Cropredy Convention
Near Banbury
Oxfordshire 

August 2023 & 2024


FOXER FINE ART staged an exhibition of Jill's large oils at the festivals.
Merchandise also offered were signed fine art giclée prints and greeting cards of her most recent work.
In 2024, Jill's dear friend and colleague Emma-Jane Holmes joined us in exhibiting her exquisite abstract landscapes.


Personal life

Born in London in 1959
Raised in Oxshott, Surrey.

Parents: Wyn & Arthur Banks
military cartographer & author

Partner: Alie Blok.

Silversmith.
Civil partnership ( samen levings kontract)
Together from 1984 - until Alie's death in 1997
Born: Katwijk aan Zee, The Netherlands
Died: Groningen, The Netherlands
12/03/1961 - 02/10/1997

Last partner: Dave Swarbrick.

Musician and Songwriter.
Married in Coventry Register Office 6th February 1999 until Dave's death in 2016.
Born: Ewell, Surrey, England
Died: Aberystwyth, Cymru
5/4/1941 - 3/6/2016





With immense gratitude to ...

Stu Vincent, photographer
Black & white portrait photograph of Jill Swarbrick-Banks © Stu Vincent 2023
stuvincent.co.uk

Jeremy Peters, photographer
Colour photographs from exhibition @ Clare Hall, Cambridge University © Jeremy Peters 2023
jeremypeters.com



Current inspirations....

I am a great fan of The Unthanks. I love their haunting music and I play them often in my studio to set up an other-worldy atmosphere... In fact several paintings have been created to their music playing softly in the background.
I just love their vocals and arrangements, impeccable!
Check them out but I'm sure you already have :)
























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